Sultan Ahmed | istanbul

January 7th, 2010  |  Published in Historical Landmark, Lale Devri - Tulip

The Neo-classical Enderûn Library (Enderûn Kütüphanesi), also known as “Library of Sultan Ahmed III” (III. Ahmed Kütüphanesi), is located directly behind the Audience Chamber (Arz Odası) in the centre of the Third Court. It was built on the foundations of the earlier Havuzlu kiosk by the royal architect Mimar Beşir Ağa in 1719 on orders of Ahmed III for use by officials of the royal household. The colonnade of this earlier kiosk now probably stands in front of the present Treasury.

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The library is a beautiful example of Ottoman architecture of the 18th century.[citation needed] The exterior of the building is faced with marble. The library has the form of a Greek cross with a domed central hall and three rectangular bays. The fourth arm of the cross consists of the porch, which can be approached by a flight of stairs on either side. Beneath the central arch of the portico is an elaborate drinking fountain with niches on each side. The building is set on a low basement to protect the precious books of the library against moisture.

The walls above the windows are decorated with 16th and 17th century İznik tiles of variegated design. The central dome and the vaults of the rectangular bays have been painted. The decoration inside the dome and vaults are typical of the so-called Tulip period, which lasted from 1703 to 1730. The books were stored in cupboards built into the walls. The niche opposite the entrance was the private reading corner of the sultan.

The library contained books on theology, Islamic law and similar works of scholarship in Ottoman Turkish, Arabic and Persian. The library collection consisted of more than 3,500 manuscripts. Some are fine examples of inlay work with nacre and ivory. Today these books are kept in the Mosque of the Ağas (Ağalar Camii), which is located to the west of the library. One of the most important items there is the so-called Topkapi manuscript, a copy of the Qur’an from the time of the third Caliph Uthman Ibn Affan.

http://en.wikipedia.org/wiki/Topkap%C4%B1_Palace

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January 7th, 2010  |  Published in Historical Landmark, Lale Devri - Tulip

AYNALIKAVAK PAVILION

At Kasimpasa on the north shore of the Golden Horn stands Aynalikavak Kasir, the only surviving building of a palace that was once one of the largest in Istanbul. Known as Tersane or Naval Arsenal Palace, its construction commenced in 1613 during the reign of Sultan Ahmed I, and additions continued to be made until the reign of Sultan Selim III (1789-1807). In the 15th and early 16th centuries this area was a forest which was one of Sultan Mehmed the Conqueror’s favourite excursion places. He would have his royal tent erected here and practise archery on the great archery field on the hilltop known as Okmeydani. When the Ottoman naval arsenal was established on the shore of the Golden Horn by Sultan Selim I (1512-1520) the forest became known as Tersane Park. The palace built here in the early 17th century was surrounded by a beautiful flower garden, to which eminent courtiers of the time made gifts of bulbs and plants.

Aynalıkavak Pavilion is the sole remaining building from a large Ottoman palace known as Aynalıkavak Palace or Tersane palace, dating back to the 17th century. This pretty building on the shore or the Golden Horn is a reminder that this now built-up area was for centuries a place parks, meadows and streams where the Ottoman sultans and before them the Byzantines came for country excursions.

After the Turkish conquest of İstanbul this attractive stretch of countryside stretching inland from the Golden Horn became an imperial park known as the Tersane Hasbahçe after the naval arsenal at neabry Kasımpaşa.

The earliest known building here dates from the reign of Sultan Ahmed I (1603-1617), and his successors added new country lodges over the centuries, until the entire complex became so large that is was referred to as Tersane or Aynalıkavak Palace.

Aynalıkavak Pavilion is one of these buildings, thought to date originally from the reign of Sultan Ahmed III (1703-1730), although extensive alterations under Selim III (1789-1807) transformed its appearance radically.The principal rooms are a reception room known as the Divanhane and the smaller Music Room. Bands of exquisite calligraphic decoration around the windows of these two rooms consist of verses by two famous poets, Şeyh Galib and Enderûni Fâzıl, in praise of the pavilion and Selim III. These talik inscriptions were designed by the calligrapher Yesari.

In terms of its architecture and decoration Aynalıkavak Pavilion is a rare and outstanding example of classical Ottoman architecture. This small building is only one storey, with a basement under the section facing the sea. The pavilion is of additional interest because of its strong associations with Sultan Selim III, a respected composer. The traditional fitted seats or sedir along the walls and settees resembling sedir, braziers, lamps and other contemporary furnishings reflect a way of life which has disappeared entirely today.

Today as an appropriate tribute to Sultan Selim III, who is a major figure of Turkish classical music, the basement of Aynalıkavak Pavilion houses an exhibition of Turkish musical instruments donated by various individuals and institutions, together with photographs of antique instruments at Topkapı Palace Museum. In summer the pretty gardens and cafeteria attract many visitors, as do the Aynalıkavak Concerts of classical Turkish art music. Private receptions are held in the gardens here.

Aynalıkavak Palace is a former Ottoman palace located in the Hasköy neighborhood in Istanbul, Turkey. It was constructed during the reign of Sultan Ahmed I (1603-1617), with various additions and changes over time. It is under the administration of the Turkish Department of National Palaces.

The importance of the shipyards on the Golden Horn meant that there was a need for somewhere close at hand where the sultans could stay while visiting them. The answer lay in the early 17th century Tersane Sarayı (Shipyard Palace), originally built for Sultan Ahmed I, who liked to practice his archery in the Okmeydanı on nearby Hasköy Hill. Today all that survives of the waterside palace is the Aynalıkavak Kasrı (Pavilion of the Mirrored Poplars), a pavilion added to the site by Sultan Ahmed III, who wanted a pied à terre within easy reach of the Kağıthane and Alibey streams (then the pleasure grounds known as the Sweet Waters of Europe), where he could throw his famous tulip-peeping parties.

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In 1730 the palace lost its raison d’être with the overthrow of the sultan and his powerful grand vizier, although it received a new lease of life in the late 18th century when the music-loving Sultan Selim III had it restored as a venue for private concerts.

It was restored again during the reign of Sultan Mahmud II (r. 1808-39). In theory, it’s once again under restoration, although the signs stating that fact have now been in place for so long that they’re growing rusty with age.  For the time being, you’ll have to content yourself with inspecting the tiles at the base of the Eyüp funicular, which depict the pavilion in its heyday, with the sultan watching acrobatics taking place on the Golden Horn right in front of it.

Aynalikavak Pavilion

The Aynalıkavak Pavilion is located in the Hasköy neighborhood in Kasımpaşa, Istanbul. It is not exactly known as to when it was built, but Evliya Çelebi, the famous 17th century Ottoman traveler and writer, states that it was built during the period of Sultan Mehmed II. Another source says that the pavilion was been built by Admiral Halil Paşa in 1613.

The name, Aynalıkavak Pavilion, comes from the mirrors which were a gift to Sultan Ahmed III after the Treaty of Passarowitz was signed and during which the Republic of Venice was left the Mora Peninsula to the Turks. The pavillion was built on a slope and its garden was decorated with different kinds of trees. One enters the pavillon through the porch and then passes into a wide hall. There are couches covered with silk located at the three corners of the wide hall, and a poem written by Sultan Selim III in gold print is located on the blue painted wall. The land façade sits on two floors and the sea-side façade on three. The pavilion has a divan room and an audience hall (Arz Odası) decorated with several works of calligraphy, nice windows, and mirrors. Its ceiling is covered by a dome.

In the beginning of the 19th century, the Aynalıkavak Pavilion was called the Has Bahçe. During the rule of Sultan Mahmut II it was restored by the architect Kirkor Balyan. It took its present shape during the Reign of  Sultan Selim III.

During the Tulip Era, (or Lâle Devri in Turkish), the pavilion hosted many entertainment venues. In addition, it hosted the Aynalıkavak Agreement signed by Sultan Abdülhamid I on January 9, 1784 between the Ottoman Empire and Russia.

The Aynalıkavak Pavilion is presently a palace-museum and houses the Turkish Music Research Center and the Museum of Instruments in its basement.

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December 2nd, 2009  |  Published in Historical Landmark, Whereist Sultanahmet

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The Blue Mosque(Sultanahmet Camii)

The Blue Mosque is one of the most prominent landmarks of Istanbul, especially when viewed from the First Hill or from the Asian shore of the Sea of Marmara. It is very impressive with its beautiful domes and semidomes, nice courtyards and six slender minarets.

The Blue Mosque was founded by Sultan Ahmet I. He ordered Architect Mehmed Aga to begin constuction in 1609 and the whole complex was completed in 1616. The location of the mosque is just opposite of the splendid Church of Hagia Sophia as it is trying to compete with it. That is actually true because Architect Mehmed wanted to construct a bigger dome then Hagia Sophia\’s but he could not succeed. Instead, he made the mosque splendid by the perfect proportion of domes and semidomes as well as the splendid minarets. There is an interesting story of the mosque; according to it, Sultan Ahmet I wanted to have a minaret made of gold which is “altin” in Turkish. The architect misunderstood him as “alti” which means “six” in English. However, when the architect was shivering as “am I going to be beheaded?”, the Sultan Ahmed I liked the minarets so much. Prior to that time, no sultan had a mosque with 6 minarets.

The mosque covers a large area, there\’s a big courtyard where some ablution fountains are located. These ablution fountains are for people who are getting prepared to pray in the mosque. Before praying, one should wash his/her face, arms, neck and feet as well as mouth and nose. This is a basic cleaning. There are beautiful marble steps right in the middle of the courtyard, leading to the main courtyard. The marble courtyard is lovely, its marble comes from the Island of Marmara (the Turkish word for marble ,”Mermer” comes from Marmara). There is a fountain in the middle which is used as decorative purposes. There is a portal on the left hand side which is entrance for the local people. Upon turning to the left, one comes to the main entrance of the mosque. The shoes must be taken off and put into plastic bags.

Upon the entrance to the mosque, one should pay attention to the gate. The gate is a  typical Seljuk- Turkish wooden work with a geometrical design in its center. The star symbolizes the Turkish Generation and very typical of early 11-12th C Turkish Art. After the gate, one meets the breathtaking interior of the mosque with its chandelliers and blue tiles. The mosque is all surrounded by beautiful 17C Iznik tiles which give its name to the Blue Mosque. It is all carpeted with prayer rugs because people must put their forehead on the floor and therefore the floor should be soft and clean.

The building is nearly a square and covered with a dome of 23.5 m.(77 feet) in diameter and 43m(140 feet) high. There are  four colossal standing colums of 5m. in diameter(16.3 feet) which give the basic support to the building. The mosque has 260 windows which let the sunlight diffuse into the building quite nicely. They were filled with stained-glass in early 17C but they were restored later. The pulpit and nave is worth seeing, made of marble and original. The Imam(priest) goes on the pulpit every Friday on the sacred day of the Muslims but he never climbs to the very top as a respect to Prophet Muhammed. Everybody should turn their face to the south when praying, because Mecca( Saudi Arabia) is located in South.

When visiting the Blue Mosque, one should remember the prayer times, five times a day. First one in the very early in morning, second at noon time, third in afternon, fourth in evening and last fifth before going to bed. The mosque is closed at prayer times for 1-1.5 hours. One should prefer to visit the mosque in the morning or before 3-4 o\’clock in the afternoon because the prayer times rotate according to the sun\’s positions.

Tel: 212/518-1330 for museum information only

http://www.tripadvisor.com/Attraction_Review-g293974-d294495-Reviews-Blue_Mosque_Sultan_Ahmet_Camii-Istanbul.html

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